previous
"I think I know the place you are speaking of," said Íoya, her features drawn together. "With certainty there is a mansion in the old marshlands, south of the oasis, but it is on the grounds of the Kégivko Ceremonial Game Reserve. No slave is allowed anywhere near that place." She sighed, as if she had been holding in her breath, and swept herself away, now very much disinclined to support the easterner's sororal piety. It was not a practice native to Tévopían slokdtabasa, who were much more accustomed to palace intrigue and the art of sharpening daggers to bury in each others' backs.
So that was how the scene must have looked to Regsabta and Íoya: consciously or not, they would have counted their poison arrow-tips, and gloated in a subdued smugness at Gloto-Tyogía's openness. Regsabta's rescue of the battered creature had not been entirely selfless, whether or not she wants to white-wash it now, hundreds of years after the fact.
Stop groaning. […]
"I think I know the place you are speaking of," said Íoya, her features drawn together. "With certainty there is a mansion in the old marshlands, south of the oasis, but it is on the grounds of the Kégivko Ceremonial Game Reserve. No slave is allowed anywhere near that place." She sighed, as if she had been holding in her breath, and swept herself away, now very much disinclined to support the easterner's sororal piety. It was not a practice native to Tévopían slokdtabasa, who were much more accustomed to palace intrigue and the art of sharpening daggers to bury in each others' backs.
So that was how the scene must have looked to Regsabta and Íoya: consciously or not, they would have counted their poison arrow-tips, and gloated in a subdued smugness at Gloto-Tyogía's openness. Regsabta's rescue of the battered creature had not been entirely selfless, whether or not she wants to white-wash it now, hundreds of years after the fact.
Stop groaning. […]
previous
At that moment a sort of stillness overcame the ship's lounge. The atmosphere had grown steadily quieter as the hours dragged on; the novice poets and muses had stopped humming their novelties for one another, leaving only the hushed tones of the elders and the occasional clink of a posset bowl. The gay tones of the ubiquitous murals that encrusted every corner of the Zelúkwía had seen better days, lending yet more to the tiredness of the celebration.
Íora rolled her eyes at the silence, her attention slow, lugubrious. She had spent the morning defending her latest literary innovation to her editor, who was utterly opposed to printing it. This time, it had not resulted in any perforated wings, but she was still sore, both in body and mind.
She swilled her bowl about, reflecting on this, and other conflicts of opinion. Checking the bottom of her drink was another personal habit—she had once swallowed a lump of ergot that someone had spat into her bowl the morning after a wild party, and the experience had never quite stopped haunting her. […]
At that moment a sort of stillness overcame the ship's lounge. The atmosphere had grown steadily quieter as the hours dragged on; the novice poets and muses had stopped humming their novelties for one another, leaving only the hushed tones of the elders and the occasional clink of a posset bowl. The gay tones of the ubiquitous murals that encrusted every corner of the Zelúkwía had seen better days, lending yet more to the tiredness of the celebration.
Íora rolled her eyes at the silence, her attention slow, lugubrious. She had spent the morning defending her latest literary innovation to her editor, who was utterly opposed to printing it. This time, it had not resulted in any perforated wings, but she was still sore, both in body and mind.
She swilled her bowl about, reflecting on this, and other conflicts of opinion. Checking the bottom of her drink was another personal habit—she had once swallowed a lump of ergot that someone had spat into her bowl the morning after a wild party, and the experience had never quite stopped haunting her. […]
We're going to sit down, you and I, and we're going to talk. And we're going to talk for a while—I'll be honest, I haven't decided how long I'm going to talk for yet—and we're going to see where that takes us. I'm not exactly sure who you are or why you're reading this; you might be an annoyed Isharian, or a real-world coworker, or someone from SL who just clicked far too many links because you read peoples' profiles even though it's vogue not to, or you might be a rather integral part of my life, past or present, wondering why I didn't mention this here thing sooner.
For now, though, let's see where it takes us. […]
For now, though, let's see where it takes us. […]
Do not call your project 'Phoenix.'
Realistically—don't call it anything related to fire, explosions, awesomeness, or power.
In fact, if your favourite colour is red, orange, or anything else you or a friend might consider fiery, then if at all possible, get a new favourite colour. This advice extends beyond programming, but is particularly important in the context of application naming. (Mauve, crimson, maroon, tangerine, and amber are fine.)
Realistically—don't call it anything related to fire, explosions, awesomeness, or power.
In fact, if your favourite colour is red, orange, or anything else you or a friend might consider fiery, then if at all possible, get a new favourite colour. This advice extends beyond programming, but is particularly important in the context of application naming. (Mauve, crimson, maroon, tangerine, and amber are fine.)
After months of heated negotiations with the Shúthíma Federal Archives in Regenelía, the Memory is pleased to report that we have finally obtained permission to begin publication of material pertaining to Wanisin and especially its early history. Even though this material was declassified by the Hatel embassy in Tokaran over a century ago, the Wind government has attempted to control access to this material because of their sensitive nature. Over the next year, we hope to start publishing the available historical records for this remarkable place so that the greater cosmos can be more familiar with the exceptional details of the longest- and best-kept secret in known history.
After untold years of dormancy, the Commission on Disséan History has awoken, and brought with it this netpage, the electronic home of the Memory of the City. The red tape was fierce, but at long last reason has prevailed, and the Memory's collection will soon be accessible from anywhere in the archipelago.
Whoever you are, wherever you are, and whyever you're reading, we're glad you're here, and we hope the stories we have to tell capture your imagination and inspire you to discover more about the Cosmos we all share.
Whoever you are, wherever you are, and whyever you're reading, we're glad you're here, and we hope the stories we have to tell capture your imagination and inspire you to discover more about the Cosmos we all share.
There are three categories of partitives in Lilitika:
(a) constructions where a set, general term exists; these are usually vague cases such as "some of the people" or "half of the night"
(b) constructions where a reference must be made to a specific quantity or fraction, e.g. "three of the walnuts" or "ten percent of the battery"
(c) constructions where a reference must be made to a subset which is distinguished by some attribute, e.g. "the wisest of the philosophers" or "the oldest (parts) of the tree" […]
(a) constructions where a set, general term exists; these are usually vague cases such as "some of the people" or "half of the night"
(b) constructions where a reference must be made to a specific quantity or fraction, e.g. "three of the walnuts" or "ten percent of the battery"
(c) constructions where a reference must be made to a subset which is distinguished by some attribute, e.g. "the wisest of the philosophers" or "the oldest (parts) of the tree" […]
previous
Íoya Tshúkoto. A woman as smug as her horns were straight.
She was an outcast of sorts, at least within the household and its staff; the last of a once-dominant bloodline, her kin had steadily been supplanted by Regsabta's cousins and sisters over the past three centuries. And she had not blended well, either: a strong, wedge-shaped chin and peculiar outward-pointing, flat ears made it clear to any visitor that she was not of the same stock. Her features rather reminded Regsabta of an inverted five-point star, which was a good omen in the far north and hence a bad one in the capital and other equatorial metropoles. […]
Íoya Tshúkoto. A woman as smug as her horns were straight.
She was an outcast of sorts, at least within the household and its staff; the last of a once-dominant bloodline, her kin had steadily been supplanted by Regsabta's cousins and sisters over the past three centuries. And she had not blended well, either: a strong, wedge-shaped chin and peculiar outward-pointing, flat ears made it clear to any visitor that she was not of the same stock. Her features rather reminded Regsabta of an inverted five-point star, which was a good omen in the far north and hence a bad one in the capital and other equatorial metropoles. […]
previous
Sabta's shimmering greatness was particularly awful today; a pinkish glare that was harmless to the Ksreskézai themselves—but could easily burn and maim a slokdtaba if she stood in it for too long. Closer to night the sky would be a more bearable blue, but the pink tinge of high noon was truly pain embodied. After metal toxicity and childbirth, melanoma was, by far, the most common cause of death for the frail little servants. […]
Sabta's shimmering greatness was particularly awful today; a pinkish glare that was harmless to the Ksreskézai themselves—but could easily burn and maim a slokdtaba if she stood in it for too long. Closer to night the sky would be a more bearable blue, but the pink tinge of high noon was truly pain embodied. After metal toxicity and childbirth, melanoma was, by far, the most common cause of death for the frail little servants. […]
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